I my self once had to make the transition between FCP7 to Premiere (when cs5 came out) and I can honestly say I have never looked back. The workflow for me is a lot more intuitive and apart from the clear benefits (FCP is only 32bit) it also integrates amazingly within its own software. For those of you who use Adobe AE to finish your project you will understand what I mean (using popcorn island to move you XML files back and forth was such a pain). To this day I still however use Soundtrack Pro, (for my sound design) as a Logic Pro user it just clicks with me seamlessly. So, enough on my background, I wanted to post this because when I made the transition is was at times very frustrating, if only I had something like this to help me at the time……….
By Scott Simmons – Pro video Coalition
NOTE: I have narrowed this down to the top 14 I found most useful.
1) Will Premiere Pro CS6 output an OMF file for audio mixing?
Yes: File > Export > OMF will bring up this export dialog box to choose your preferred settings.
2) How to bring one timeline from one project to another?
The simplest method is you have a project open that you want to move a select sequence from is to just select the sequence and COPY. Then open the next project and PASTE. That will paste that new sequence into the edit. Note that all the media that is in that new timeline will get new items created in the project as well. Continue reading
Yesterday I took a trip to The Media City in Salford to do some hands on molesting of the Sony fs-700. There where other small sensor camcorders their as well (along with the incredible Sony f65) but I was only really interested in the fs-700. First impressions? Well its bigger than the fs-100 and it feels very sturdy. This is good because to me it defiantly looked like it could handle some rough film making stick. First port of call was straight for the knads, that slow motion feature. It’s a very simple feature to navigate too using the main menu and once we had figured this out we set about recording some 200fps, what can I say, it’s very smooth. We couldn’t see any flicker and the resolution look very impressive indeed. When Philip bloom did his video review about this camera he mentioned that it took a while to read to card, approx 30secs but this is an issue we didn’t have, it was almost instant.
Yes they are an amazing feature to include and I would be very happy to have these in my Canon but we can’t all be winners. The Sony gives us the ND options of – 1/4 ND -1/16ND & 1/64ND and its placed perfectly on the side behind where the lens will go (just like the EX1cams). My friend also mentioned it felt much sturdier when switching the ND’s on from the older EX cams but when I used it I found it to be slightly temperamental, making it too easy to just whack all the ND on fully rather than just 1/4. Continue reading
Its coming ever closer to the release dates of both the Black magic cinema camera and the Sony fs-700 so I am going to spend my time re-capping on all the info we’ve had on these cameras as they excite me the most in the Film Market this year, why? Well were getting two things here, a pro camera that can shoot slow motion 4k ready & a consumer priced camera that can shoot RAW 4.4.4 2.5k Images to 24p & 25p (NICE!).
I know the Sony is an awful lot more expense but it interests me some what as I can easily see this being the first of a long line of slow motion capable cameras at a lower price point (I am a big fan of slow motion so 200fps PAL really excites me). As we all know the bigger company’s set the pace for the smaller ones and thus the features eventually find themselves getting more and more accessible, (how long before we see 200fps in a HDSLR?-More likely not to be from the rather ignorant Canon makers). The key features of the Sony: Continue reading
So you’re thinking about buying a nice new HDSLR camera, you think to yourself yes, now is a good time to buy. Prices are steadily falling on the canon 550d, the Panasonic gh2 is due to be replaced soon (making it cheap) and there’s a whole host of ‘affordable’ HDSLR’s on the market – a long with tonnes of comparison videos and reviews. This article is here to pluck the very best from comparisons between the Nikon d800, the canon 5dmrkiii, the canon 550d and the Panasonic gh2.
But don’t rush! The cameras are still going to be on sale in two weeks I know you’re probably very eager to get out and shoot. Wait, make sure you weigh up you’re options…. find comparisons and weigh up the pros and cons for what YOU need the camera for. Ask your self……
- What’s my price for Body Only
- What lenses will I need without having to compromise sharpness (price)
- WHAT WILL I BE FILMING?? SHORT FILMS?? MUSIC VIDEOS??
- Do I really need low light performance (do I shot out doors or with lighting set ups?)
- Do I need to shoot in tight spaces? (fast wide lenses, full frame sensors)
- Is resolution more important to me than anything else? (green screening)
- Do I need on board audio recording?
After you have considered all these factors write down you’re own ideal features YOU need and read on……..(Write down next to the above questions which camera best suits that feature and at the end see which camera you have written down the most……buy that camera). Continue reading
So, here it is, in its full glory. This is not a post about how amazing this new product is, rather an overview of its specs and what alternate options are out there for you if you want to stick to WINDOWS…….
Apple Macbook pro With retina display:
Specs & Pricing:
The 15-inch MacBook Pro with Retina display is available through the Apple Online Store (www.apple.com), Apple’s retail stores and Apple Authorized Resellers. The 15-inch MacBook Pro is available with a 2.3 GHz quad-core Intel Core i7 processor with Turbo Boost speeds up to 3.3 GHz, 8GB of memory and 256GB of flash storage starting at $2,199 (US); and with a 2.6 GHz quad-core Intel Core i7 processor with Turbo Boost speeds up to 3.6 GHz, 8GB of memory and 512GB of flash storage starting at $2,799 (US). Configure-to-order options include faster quad-core processors up to 2.7 GHz, up to 16GB of memory and flash storage up to 768GB. Continue reading
Deadline New York reported yesterday that by 2013 the studios will indeed stop creating film prints, instead they are requesting cinemas ‘upgrade’ and update to digital projection. Why?, well a lot of it has to do with the new Hobbit film that has been shot at 48fps, Peter Jackson is really pushing this new concept and after a lot of criticism at the first sneak viewing a couple of months ago (that did not go down very well) I am starting to dislike the concept even more. Why change something that has been working so well and has been imprinted in our minds to look like film. 24fps is cinematic, 48fps is soap opera.
DAVID LIEBERMAN, Executive Editor :
Time is running out for theaters that haven’t made the switch to digital projection. Studios’ use of conventional 35 mm prints “is projected to cease in the United States and other major markets by the end of next year, with global Continue reading
Slow motion (with the new Sony fs700) is likely to become the new shallow depth of field, we are probably going to be seeing it everywhere. I love slow motion and I used it in my own short film Solvo Curso just a couple of months ago so (after a lot of asking) I though I would go through the entire workflow of how I achieved this, from the canon 550d shooting modes to the post production and how to best use Twixtor. It’s easier than you think and obviously you’re not going to be able to compete with real 2000fps but you’re definitely going to get that vital few seconds of super slow motion footage to create a really cool sequence. Here’s a nice example of what I mean: Continue reading